Let’s say you’re done working on a Pro Tools session and you want to archive it. That is, you want to put all of (and ONLY) the necessary files for the session all in one tightly-packed folder. Here are the steps to follow:

1. Delete Unused Playlists. Go to any audio track in your session and choose “Delete Unused…” from the playlist menu on the track. The Delete Unused Playlist dialog will open. Highlight all of the playlists in that list (as in Figure 1) and click Delete. This will eliminate any playlists that are not visible in the Edit window… any playlist that is shown on screen and is playing back will not be deleted.

Delete Unused Playlists

Figure 1. Delete Unused Playlists. Select “Delete Unused” from the playlist menu, and a window with all of the unused playlists will open. Select them all and click “Delete.”

2. Remove Unused Regions. From the Regions list pop-up menu, choose Select > Unused. Any regions that are not referenced by any track or playlist in your session will become highlighted.

3. Clear Regions. From the Regions list pop-up, choose Clear. The Clear Regions window will open, as in Figure 2. Choose “Remove” to remove the unused regions from the session, or “Delete” to permanently erase the files from your hard drive. Whether you choose “”Remove” or “Delete” will not affect the size of your archived session, BUT choosing “Delete” will erase the unused audio files from your hard drive PERMANENTLY. Only choose “Delete” if you’re trying to clean up your hard drive.

Clear Regions

Figure 2. Clear Regions. Removing unused regions from a session can make archiving a much faster process while also using up less hard drive space.

4. Compacting (this is an optional step). Compacting deletes unused portions of audio files to conserve disk space. Although it can save hard drive space, be warned. Compacting is a destructive command. It permanently changes the original audio file and cannot be undone. Thus, I would only use this step if you need the archived file to be as small as possible. Otherwise, skip this step.

5. Save Copy In. Choose File > Save Copy In and the dialog in Figure 3 will open. Check off all the items that you want to include in the archive (most importantly, All Audio Files). Be sure to check “Enforce Mac/PC Compatibility” if you’re archiving to a version of Pro Tools before version 7.X. The Save Copy In command is great because it creates a duplicate copy of everything that’s included in the session, including audio files, fade files, plug-in settings, and movie/video files. All of the copied files are put together in one folder. Thus, if you have files spread out all over different drives, this is the best option for bringing all of those files together for archiving. You can also save your session to be compatible with an earlier version of Pro Tools, if so desired. Since this command will copy everything involved with your session, it may take some time to process.

Save Copy In

Figure 3. The Save Copy In Window. Always check the Enforce Mac/PC compatibility box if archiving the session to anything earlier than Pro Tools version 7.X.

You can now store this tightly-packed folder on a hard drive, DVD or other storage medium. I recommend making a couple of copies of that folder and saving the copies on different storage mediums (e.g., one copy on a hard drive, one copy on a DVD).

Happy Archiving!

Folks -

I ran across this helpful tool kit on Digidesign’s web site today… its a 3MB download called the Tech Support Folder. It contains a bunch of really helpful stuff if you’re having problems with your computer and Pro Tools, or if you’re looking to get Pro Tools and want to know if your computer is compatible.

First, there’s the PC Wizard, which analyzes your PC and produces a description of the components in your Windows computer. You can then compare your PC info with Digidesign’s compatible computer requirements.

Second, there’s the Tech Support Utility, which can help you solve a bunch of common Pro Tools tech support issues, such as error messages and problems with computer performance, plug-ins, I/O, etc.

Third, there’s the Troubleshooting Sessions folder, which contains a bunch of sessions that can help you troubleshoot any Pro Tools interface.

Finally, there’s the FAQ and Troubleshooting Guide, which is a 31 page with chapters on compatibility, support, performance considerations, hard drives, interfaces, installing and launching Pro Tools, operational errors, and what I use most… Appendix B, which has a list of common DAE Errors and What They Mean. YEAH!

Click here to go to the Tech Support Folder on Digidesign’s Site

This is a helpful bunch of tools… check them out!

df

Hi Folks. Digidesign has announced a new virtual instrument that looks totally cool… Transfuser. It’s a “real-time loop, phrase, and groove creation workstation” and looks like an awesome tool for working on electronic, dance, and hiphop music. Digi’s got a free trial download of it with 200MB of sounds available now (the full product will have over 2GB of sounds/loops).

There are a couple of demo videos on Digi’s site… check them out here:

LINK TO TRANSFUSER

From the looks of it, Transfuser might be really easy to integrate into some of the M-audio MIDI instruments, such as the Axiom line, Trigger Finger, and even the Xponent with Torq because of its ability to map effects to knobs and samples to pads. As I’m on vacation at the moment, I have yet to download and play with it, but if any of you do, please feel free to post your comments here to this blog. I’d certainly be curious here what you think. And if you have some suggestions on things to fix, I can pass those along to Digidesign too. :)

Hey Folks -

Here’s the second half of my NAMM report… where I get the lowdown from Diego Stocco from Spectrasonics about their new AMAZING synth, Omnisphere. I can’t wait until this is out in September ‘08! I also talk with Dan Boatman at IK Multimedia about their new cool Stomp box. Awesome stuff. Check it out:

df

One of the best uses of home studio equipment that I’ve heard and seen recently is on YouTube in the “Shred” videos. Maybe a little outside the realm of this blog, but this certainly is creative music production if I’ve ever heard/seen it.

Essentially, the Shred videos are overdubbed guitar solos and other instruments that a guy (StSanders) synced up to a live video performance of a major artist (Clapton, Santana, Iron Maiden, etc.) The guitar solos match up with the videos so well and are absolutely hysterical, mainly because they’re so well put together (or not). Other instruments come in and out as they’re shown on the video…and those parts are equally hilarious.

Its ‘music geek’ stuff and your musician friends will probably laugh their heads off. However, non-musicians probably won’t appreciate it very much.

Here’s the Clapton Shreds video. Search for other Shred videos on YouTube’s site. I HIGHLY recommend the Santana shreds video as well! :)

Digidesign/A.I.R. unveiled its next foray into virtual instruments with Eleven, a guitar amp simulation plug-in. I downloaded the 30-day free trial (yeah, 30 days free… I like that) a few days ago. After listening to the demo online, I was VERY skeptical as the sample was nowhere close to impressive. However, I used Eleven myself in a session yesterday and was pretty impressed. I ran a Rickenbocker bass through the Jazz Bass Tweed setting and got a nice, smooth full tone that I didn’t have to alter at all. I used that sound on the track. I also ran a Strat through a bunch of the guitar amps and ended using two different settings, both of which I tweaked with EQ and also with the “speaker breakup” control… and both ended up in the mix too.

This free version is light on some features that other guitar simulators have, but I’m waiting to see what the full version includes. They say on the Eleven site “The final release will come loaded with even more presets and other goodies.”

Overall, I think this plug-in has some good sounds. I’ve used pretty much all of the other amp simulators plug-ins and, for me, each one kinda has some “go to” sounds. I’m excited that after one use, Eleven seems to have a few that I’ll definitely use again. And, I’ve just scratched the surface.

Download the plug-in here:

http://www2.digidesign.com/eleven/

Eleven

And just when I thought Digidesign was going to “force” me to buy a D-Command mixing console… my patience has paid off. :) This past weekend at AES in NYC, Digidesign showed the new C|24, the replacement for the long-toothed Control|24. It looks pretty sharp and sleek, and brings tons of the D-Command style to the new design.

Here are a few of the features:
- 24 bankable channel strips with touch-sensitive, motorized faders
- 16 mic/line/DI preamps (we’ll see what they sound like)
- 8 x 2 stereo line mixer
- 5.1 surround analog monitor section (cool!)
- talkback mic and inputs for remote talkback and listenback
- tons and tons of buttons – mute, solo, select, input, record, EQ, dynamics, inserts, sends, and automation

It won’t be shipping for a few weeks, but I think I know what I’m getting for Christmas.
C|24

OK, Pro Tools 7.4 is just around the corner… looking like November release…and I’ll tell ya it’s got some cool new features for sure. Elastic Time. Nice. It’s pretty slick. And from what I could tell on the AES showroom floor, it sounds pretty good too.

Elastic Time is several time compression/expansion algorithms that enable real-time elasticity of audio regions. You can change the tempo and timing of any audio file… but that’s not new, except that you can do it in real-time now. You can audition audio files from Digibase and have them playback in sync with the session before importing them. When you do import them, they automatically conform to the session tempo.

But the coolest part is that you can apply quantization to the audio files VERY easily and you can use Warp track view and Warp markers to really mess up the timing/tempo of the audio files.

The Identify Beat command and Beat Detective will have MUCH less use now. Pro Tools has brought some of the best features of Ableton Live in and gave them their own Digi spin. I think it’ll be really powerful. I can’t wait to use it.

I’ve been using a ton of instrument plug-ins lately… and I feel like I have an addiction to them. I want to get all the ones that are available for Pro Tools. I’ve been very impressed with the stuff that Digidesign has put out under it’s A.I.R. division, including Xpand!, Hybrid, Velvet, Strike, and Structure. If you don’t have any of these, definitely get your hands on Xpand! It’s free and its really got some great sounds. There’s also a free version of Structure. Granted, Structure Free is pretty limited, but you’ll get a taste at least. If you’re an electric piano, Rhodes, or Wurli player, I highly recommend the Velvet plug. There’s something about that instrument that every time I play it, something cool comes out… either a new song idea, or a new part to the song I’m working on.

Digidesign is offering a boxed set of their A.I.R. virtual instruments - click here to check it out

What are you favorite instruments and why? One of my personal favs these days is Access Indigo. Although its been around for a while, its so robust, easy to use, and has so many cool presets that its hard to beat as my first call synth. For the music I make with my band, the arpeggiator on that plug-in rules. And, I CANNOT WAIT until Spectrasonics finally gets the Intel Mac updates for Atmosphere and Trilogy. I want to use those natively in Pro Tools without the VST wrapper. I’ve heard they’re close to releasing them. Go to http://www.spectrasonics.net/updates/index.php to check.

Talk to me about your favorite instrument plugs…

Who’s going to AES in New York? I will most likely be there, at least for Saturday and Sunday (Oct 6 & 7). I’ve been to AES many times over the past few years, and each time I go I have a blast. After spending the day learning about all the cool new stuff coming out, I usually end up at some crazy studio party. Man, there are some stories… the best one involves jello shots, but we won’t go there in this blog. :)

If you are going to AES and want to meet up, let me know. I usually spend a lot of time at… yeah, you guessed it… the Digidesign/M-Audio booth. Ask for me there, or if there’s enough interest, we can set up a specific meeting point. I’d love to meet up with other cool Pro Tools users and studio owners.