Let’s say you’re done working on a Pro Tools session and you want to archive it. That is, you want to put all of (and ONLY) the necessary files for the session all in one tightly-packed folder. Here are the steps to follow:

1. Delete Unused Playlists. Go to any audio track in your session and choose “Delete Unused…” from the playlist menu on the track. The Delete Unused Playlist dialog will open. Highlight all of the playlists in that list (as in Figure 1) and click Delete. This will eliminate any playlists that are not visible in the Edit window… any playlist that is shown on screen and is playing back will not be deleted.

Delete Unused Playlists

Figure 1. Delete Unused Playlists. Select “Delete Unused” from the playlist menu, and a window with all of the unused playlists will open. Select them all and click “Delete.”

2. Remove Unused Regions. From the Regions list pop-up menu, choose Select > Unused. Any regions that are not referenced by any track or playlist in your session will become highlighted.

3. Clear Regions. From the Regions list pop-up, choose Clear. The Clear Regions window will open, as in Figure 2. Choose “Remove” to remove the unused regions from the session, or “Delete” to permanently erase the files from your hard drive. Whether you choose “”Remove” or “Delete” will not affect the size of your archived session, BUT choosing “Delete” will erase the unused audio files from your hard drive PERMANENTLY. Only choose “Delete” if you’re trying to clean up your hard drive.

Clear Regions

Figure 2. Clear Regions. Removing unused regions from a session can make archiving a much faster process while also using up less hard drive space.

4. Compacting (this is an optional step). Compacting deletes unused portions of audio files to conserve disk space. Although it can save hard drive space, be warned. Compacting is a destructive command. It permanently changes the original audio file and cannot be undone. Thus, I would only use this step if you need the archived file to be as small as possible. Otherwise, skip this step.

5. Save Copy In. Choose File > Save Copy In and the dialog in Figure 3 will open. Check off all the items that you want to include in the archive (most importantly, All Audio Files). Be sure to check “Enforce Mac/PC Compatibility” if you’re archiving to a version of Pro Tools before version 7.X. The Save Copy In command is great because it creates a duplicate copy of everything that’s included in the session, including audio files, fade files, plug-in settings, and movie/video files. All of the copied files are put together in one folder. Thus, if you have files spread out all over different drives, this is the best option for bringing all of those files together for archiving. You can also save your session to be compatible with an earlier version of Pro Tools, if so desired. Since this command will copy everything involved with your session, it may take some time to process.

Save Copy In

Figure 3. The Save Copy In Window. Always check the Enforce Mac/PC compatibility box if archiving the session to anything earlier than Pro Tools version 7.X.

You can now store this tightly-packed folder on a hard drive, DVD or other storage medium. I recommend making a couple of copies of that folder and saving the copies on different storage mediums (e.g., one copy on a hard drive, one copy on a DVD).

Happy Archiving!

Folks -

I ran across this helpful tool kit on Digidesign’s web site today… its a 3MB download called the Tech Support Folder. It contains a bunch of really helpful stuff if you’re having problems with your computer and Pro Tools, or if you’re looking to get Pro Tools and want to know if your computer is compatible.

First, there’s the PC Wizard, which analyzes your PC and produces a description of the components in your Windows computer. You can then compare your PC info with Digidesign’s compatible computer requirements.

Second, there’s the Tech Support Utility, which can help you solve a bunch of common Pro Tools tech support issues, such as error messages and problems with computer performance, plug-ins, I/O, etc.

Third, there’s the Troubleshooting Sessions folder, which contains a bunch of sessions that can help you troubleshoot any Pro Tools interface.

Finally, there’s the FAQ and Troubleshooting Guide, which is a 31 page with chapters on compatibility, support, performance considerations, hard drives, interfaces, installing and launching Pro Tools, operational errors, and what I use most… Appendix B, which has a list of common DAE Errors and What They Mean. YEAH!

Click here to go to the Tech Support Folder on Digidesign’s Site

This is a helpful bunch of tools… check them out!

df

One of things that I’ve witnessed so many times is Pro Tools users who upgrade to the latest operating system, only to find out that the upgrade is not compatible with Pro Tools. Then, they have to reinstall their previous operating system, often taking many hours to do so. Yes, the latest features of the most recent operating system may be attractive, but have patience young padawans!

We’ve all been looking forward to Pro Tools becoming compatible with Leopard (Apple’s OS 10.5), and Digidesign has released the first step… Pro Tools HD (not LE, M-powered, or Academic) is compatible with Leopard. But not just any Leopard. You can only use Pro Tools 7.4.1 with OS 10.5.1. Click here for more details on Digidesign’s site.

Please, please, please… save yourself some hassles. Turn off the automatic software update feature on your Mac. And, wait to upgrade your OS until its officially supported by Digidesign. You’ll avoid a lot of headaches and be much more productive.

Cheers!

Just wanted to let everyone know that the new Berkleemusic.com online semester starts today, Jan 7th. You can still sign up for classes. I’ll be teaching sections of three different courses:

1. ‘Producing with Pro Tools’ - a class based on my new book (Producing in the Home Studio with Pro Tools, 3rd Edition) where we focus on recording, editing, and MIDI production techniques, for novices to intermediate Pro Tools users. Here, we do many real-world projects using Pro Tools for music creation and creative editing using audio and MIDI.

2. ‘Recording and Producing in the Home Studio’ - a class where you start with a demo song (your own or a clients) and over 12 weeks we take that song and produce it… in pre-production, we examine the song structure, lyrics, etc and rework anything that should be reworked… in the production phase, we re-record the tracks… and in the post-production phase, we edit, mix, and master the song. By the 12th week, we will have taken your demo and turned it into a fully produced and mastered recording.

3. ‘Pro Tools 101′ - the Pro Tools beginners class, designed by Digidesign. A guided start to learning the basics.

Get the most out of your studio equipment and new holiday toys. Go to www.berkleemusic.com to check out these courses and sign up to join me in class. :)

OK, so I admit that I don’t use DigiBase (Digidesign’s built-in database browser in Pro Tools) all that much. Seems like I’m not alone in this fact. However, I did just learn about a couple of features that will make reaching for DigiBase a lot more frequent for me.

1. Unmounting Firewire drives.
It always bothered me that I couldn’t unmount/eject a hard drive using my operating system as long as Pro Tools was running. Well, there’s a way around that. From within Pro Tools, choose Window > Workspace to open the Workspace browser window. Click once on the hard drive that you want to unmount/eject so that the name of the drive is selected. Click the little toolbox button in the upper left corner of the Workspace browser window, and you’ll get the menu shown in the figure below. Choose “Unmount” and there you go! That’s weird, wild schtuff. :)

  • Unmount a hard drive


    2. Auditioning loops that conform to the session tempo.
    In Pro Tools 7.4, Elastic Time helps even when auditioning loops from the Workspace window. You can now select a loop to preview how it will sound at the open session’s tempo. Simply click on a loop to select it, click the “Audio Files Conform to Session Tempo” button, and then click on the Preview button. Pro Tools will conform the loop to the open session’s tempo. If you like what you hear, you can simply drag and drop the loop from the Workspace browser into the Track List in the session’s Edit window and Pro Tools will automatically create a new track for that imported loop. Pretty slick!

  • Auditioning Audio at Session’s Tempo

  • And just when I thought Digidesign was going to “force” me to buy a D-Command mixing console… my patience has paid off. :) This past weekend at AES in NYC, Digidesign showed the new C|24, the replacement for the long-toothed Control|24. It looks pretty sharp and sleek, and brings tons of the D-Command style to the new design.

    Here are a few of the features:
    - 24 bankable channel strips with touch-sensitive, motorized faders
    - 16 mic/line/DI preamps (we’ll see what they sound like)
    - 8 x 2 stereo line mixer
    - 5.1 surround analog monitor section (cool!)
    - talkback mic and inputs for remote talkback and listenback
    - tons and tons of buttons – mute, solo, select, input, record, EQ, dynamics, inserts, sends, and automation

    It won’t be shipping for a few weeks, but I think I know what I’m getting for Christmas.
    C|24

    OK, Pro Tools 7.4 is just around the corner… looking like November release…and I’ll tell ya it’s got some cool new features for sure. Elastic Time. Nice. It’s pretty slick. And from what I could tell on the AES showroom floor, it sounds pretty good too.

    Elastic Time is several time compression/expansion algorithms that enable real-time elasticity of audio regions. You can change the tempo and timing of any audio file… but that’s not new, except that you can do it in real-time now. You can audition audio files from Digibase and have them playback in sync with the session before importing them. When you do import them, they automatically conform to the session tempo.

    But the coolest part is that you can apply quantization to the audio files VERY easily and you can use Warp track view and Warp markers to really mess up the timing/tempo of the audio files.

    The Identify Beat command and Beat Detective will have MUCH less use now. Pro Tools has brought some of the best features of Ableton Live in and gave them their own Digi spin. I think it’ll be really powerful. I can’t wait to use it.

    I’ve been using a ton of instrument plug-ins lately… and I feel like I have an addiction to them. I want to get all the ones that are available for Pro Tools. I’ve been very impressed with the stuff that Digidesign has put out under it’s A.I.R. division, including Xpand!, Hybrid, Velvet, Strike, and Structure. If you don’t have any of these, definitely get your hands on Xpand! It’s free and its really got some great sounds. There’s also a free version of Structure. Granted, Structure Free is pretty limited, but you’ll get a taste at least. If you’re an electric piano, Rhodes, or Wurli player, I highly recommend the Velvet plug. There’s something about that instrument that every time I play it, something cool comes out… either a new song idea, or a new part to the song I’m working on.

    Digidesign is offering a boxed set of their A.I.R. virtual instruments - click here to check it out

    What are you favorite instruments and why? One of my personal favs these days is Access Indigo. Although its been around for a while, its so robust, easy to use, and has so many cool presets that its hard to beat as my first call synth. For the music I make with my band, the arpeggiator on that plug-in rules. And, I CANNOT WAIT until Spectrasonics finally gets the Intel Mac updates for Atmosphere and Trilogy. I want to use those natively in Pro Tools without the VST wrapper. I’ve heard they’re close to releasing them. Go to http://www.spectrasonics.net/updates/index.php to check.

    Talk to me about your favorite instrument plugs…

    Who’s going to AES in New York? I will most likely be there, at least for Saturday and Sunday (Oct 6 & 7). I’ve been to AES many times over the past few years, and each time I go I have a blast. After spending the day learning about all the cool new stuff coming out, I usually end up at some crazy studio party. Man, there are some stories… the best one involves jello shots, but we won’t go there in this blog. :)

    If you are going to AES and want to meet up, let me know. I usually spend a lot of time at… yeah, you guessed it… the Digidesign/M-Audio booth. Ask for me there, or if there’s enough interest, we can set up a specific meeting point. I’d love to meet up with other cool Pro Tools users and studio owners.

    Welcome back to Producing with Pro Tools. Yesterday I got a call from my friends at Digidesign to do column for their next DigiZine (coming out in January). I wrote for them for several years and then took a short break, conveniently timed while I was working on the latest edition of my Pro Tools book. Anyway, now I’m back.

    Who reads DigiZine? Anyone? Do you find it helpful? I’d love to know your opinions about it. Dusty DiMurcio, a good friend of mine at Digi, is the editor in chief and I think the latest version online is pretty rad. It’s even got page turning sound effects. Check it out here and let me know your opinion:

    http://www.digidesign.com/index.cfm?navid=6&langid=100&

    Cheers.

    df